Submitted by ConArtists on March 28, 2017 - 5:55pm
Each week, SITI Company spotlights one of the artists in our Conservatory. This week, we are happy to highlight the work of theater maker Caitlin Lavery.
Speaking of what she’s learned in her year at the Conservatory, Caitlin points to her growth as an artist. She shared about her experience working on Kate Tarker’s HANGANDBURN: “I felt as though I was able to approach it with substance […] to trust the people I was working with, to trust my input and also my capacity to pull off that role. That felt really wonderful.”
Submitted by Anne Bogart on March 22, 2017 - 1:49pm
From now through April 2nd, you can catch SITI Company’s brand new production entitled Chess Match No. 5, Tuesdays through Sundays at the Abingdon Theater in midtown Manhattan. We hope that you will join us.
Submitted by SITI Alumni on March 17, 2017 - 4:11pm
On Facebook and here on the SITI Company blog, SITI has been spotlighting alumni of our many training programs. Today, we have the great pleasure of spotlighting Tina Mitchell, who has trained with us regularly since 2007 and was once SITI’s Artistic Associate. Tina is a New York based actor, director, teaching artist and theater maker. Hailing from Australia, Tina is a graduate of the Adelaide College of the Arts and holds a Masters of Arts Practice specializing in Performance.
Submitted by ConArtists on February 28, 2017 - 7:21pm
Each week, SITI Company spotlights one of the artists in our Conservatory. They are on a well-earned vacation this week, but before leaving the studio, Tiago Porteiro sat down with us to talk about why he seeks out training opportunities around the world.
Speaking of artistic experiences that have changed him or deeply affected his artistic practice, Tiago says, “It was moments with singing. I think to sing, as a kind of body in space, can be a very strong experience, especially if you are together and singing: putting the body in vibration.”
Submitted by ConArtists on February 6, 2017 - 6:13pm
Each week, SITI spotlights one of our Conservatory artists. This week, we’re happy to highlight the work of Dante Belletti.
Speaking of his own identities and the work of artists in 2017, Dante says, “It’s made me think a lot about: what is my right to make work? And what can I say that is from me and uniquely my own, that is also potentially radical and politically useful?”
Submitted by ConArtists on January 18, 2017 - 11:03pm
This week, we’re happy to spotlight the work of Conservatory artist Sarah McEneaney.
Speaking of her work in the Conservatory, Sarah said, “Collaborating with wildly different people is a great, great thing I’m learning. I’m still learning. I don’t think I’ll ever stop learning how to collaborate.”
Submitted by Anne Bogart on December 30, 2016 - 5:02pm
The political cataclysm that recently landed upon our collective heads is a dangerous call to attention but also an opportunity. We are currently facing a crisis in the guise of a future that may be considerably more hazardous than we can currently imagine. But imagination is exactly what is required. The crisis provides a unique occasion for us to re-evaluate our assumptions, adjust and engage in new ways. John F.