The Week of Oct 28-Nov 1, 2013

Ellen Lauren's picture

Perhaps it was Isabel’s ability to dissect the situation in Cuba with such compassion and laser-like vision, giving perspective to the artistic situation there, as well as her own state of being…

Or perhaps it was my quiet few moments with Jaako in the studio at lunch one afternoon, just he and I, and the room, which became a sanctuary despite the energy still trilling the air from classes…

Or it might have been the constant sound of the door to the blue room opening and shutting all through the week, constant activity, which in our small space, denotes constant changing of roles…

Or was it being in the audience for the four compositions on Wednesday, transported to four different landscapes, physically, emotionally, astonished by the breadth of imagination and talent…

SITI Company Diary/Blog week of 10.21 2013

Leon Ingulsrud's picture

One of the great pleasures of my life is living in NYC.

I really like this city. I always have.


I first visited the city in my first year of life in 1964. To put it mildly, NYC has been through some changes since then, but despite many things about it I hate, and wish were different, I’m smitten. This love is, undoubtably, aided by the fact that I’m not always here. I go away from time to time. And then I have the wonderful experience of catching sight, after an absence, of the Manhattan skyline. It’s cheesy but there is part of me that still sees it in Woody Allen’s black and white, and hears Rhapsody In Blue in these moments. I like feeling Melville’s ghost brush past me as I bike along the Westside piers of “the Manhattoes.” But it is also that when I wander through the sensual hurricane of Times Square, the tiny streets of Little Italy and China, or listen to the candidates campaigning in my neighborhood for political office in the Dominican Republic, I feel a connection to the world, and all of the big cities. I cannot look into the diversity of New Yorker faces and not be reminded that we live on an entire planet here.

Prompts for Anne

Anne Bogart's picture

For the past several years my blogs on the SITI Company website have been fruitful and useful as I worked towards the completion of a new book of essays entitled What’s the Story. Thanks to the blogosphere I was able to think intensively about issues that related to art, theater and storytelling and then share the consequent writing with you. In September I finished the book, a significant expansion upon the blog writing, and submitted it for publication with Routledge Press. I am excited about What’s the Story coming into existence in the world.  Thank you for your help in the process!

And now, in the quest for a new direction for the blogs on the SITI website, I turn to you for help.  How can we launch a dialogue together?  What are your burning questions, thematic ideas or prompts about subjects that you would like me to consider and attempt to address?

Each month I will make selections from your prompts and I will do my best to address and expand upon the subject.  Your question or prompt will be included in the blog and with my response. In this way I hope that we can stimulate even further dialogue. Please send your prompts to:

Letter to SITI Conservatory

Will Bond's picture

This week marks an exciting new adventure for SITI company.  Artists from all over the world have committed to spending almost an entire year of their lives to participate in the first year of our SITI conservatory.  The company has hosted training sessions lasting from 5 weeks to 1 week all over the planet, but now we get to spend real time with the artists and together create a program dedicated to Listening, Speaking, Moving, Writing, and Creating.  Somehow I want to reach out to them and celebrate.  Next month, October, the Routledge Press is putting out a new book entitled, The Routledge Companion to Stanislavsky.  I am lucky enough to have been able to contribute a chapter that is supposed to be maybe an introduction to my relationship to Stanislavsky over the years of my career.  Many exciting artists have contributed their own chapters.  But, given the number of pages I was allowed, some of what I had to say was necessarily left out.  As a way of reaching out to the company and to the artists joining SITI for the year I thought I’d post this one short story that expresses not only the theme of the book, but my relationship to SITI, and now to my extended family in our new conservatory.

What's the Story

Anne Bogart's picture

I am writing today in West Fulton, New York in the heart of the Catskill Mountains. I am close to finishing a new book of essays entitled What’s the Story.  The book is made up of eleven chapters, each with a one-word title:

SITIParis2013 #3

Will Bond's picture

SITIParis2013 #2 Ellen&Bondo

Will Bond's picture


SITIParis2013 a daily Ellen&Bondo

Will Bond's picture


Anne Bogart's picture

Our capacity to tolerate error depends upon our capacity to tolerate emotion.
(Irna Gadd)

In 1974 I moved to New York City with the dream of making a life in the theater but first I had to find gainful employment to support my passions.  Here are some of my many day jobs:  Collecting overdue payments from the clients of a bottled water company, teaching theater to adolescents at the United Nations International School after-school program, analyzing expenses for a Wall Street brokerage firm and leading theater workshops in a halfway house for schizophrenics. Each job provided a window into a particular social, political or economic world. Each window taught me valuable lessons about how to be a better theater director.  I mostly learned through my own errors. After many mistakes of presumption and conjecture, I eventually learned to abandon my own carefully premeditated plans, slow down and listen, really listen to what was happening, and then adjust. I learned the necessity of giving up control in order to ride the wave that was already in motion.

this is a trailer for A RITE

Will Bond's picture

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