On Facebook and here on the SITI Company blog, SITI has been spotlighting alumni of our many training programs. Today, we have the great pleasure of spotlighting Shura Baryshnikov. Shura is an interdisciplinary performer, movement designer, and choreographer working in both dance and theatre.
Submitted by SITI Alumni on May 20, 2016 - 11:32am
On Facebook and here on the SITI Company blog, SITI has been spotlighting alumni of our many training programs. Today, we have the great pleasure of introducing you to Travis Russ. Travis is the founding Artistic Director of Life Jacket Theatre Company, a company focused on creating works based on real events. Travis is an Associate Professor at Fordham University, where he teaches graduate and undergraduate classes in communication and performance.
Many years ago my T’ai Chi Chuan teacher Jean Kwok made a trip to Hong Kong. On her first morning in the city she walked into a nearby park to practice her form. The large park was filled with many separate groupings of people and individuals moving fluidly through a wide variety of styles of T’ai Chi Chuan. Developed by different families in China over the course of the centuries, there are literally hundreds of distinctly different forms of T’ai Chi. Jean walked around the park observing the variations in form with great interest.
On Facebook and here on the SITI Company blog, SITI has been spotlighting alumni of our many training programs. Today, we have the great pleasure of introducing you to Jessica Burr. Jessica is the Artistic Director of Blessed Unrest, a company committed to producing dynamic, disciplined, and exuberant new works for the stage in New York City and abroad, building original pieces and reconstructing established texts with its diverse ensemble of artists.
Submitted by Leon Ingulsrud on May 7, 2016 - 3:19pm
Are you successful?
Do you feel successful?
What does success even mean to you?
Do these questions feel familiar to you?
Does it seem like I’m about to try and sell you something?
The question “Am I successful?” is on our minds a lot more than we let on. This is not only because it is a trickier thing to evaluate than we are led to believe, but we tend to think that to ask the question at all is to implicitly answer it in the negative.
Submitted by Leon Ingulsrud on April 1, 2016 - 3:43pm
It occurs to me that there is nothing inherently valuable about authenticity.
I recently attended a screening of City Of Gold; the excellent documentary about Los Angeles Times food critic Jonathan Gold. After the movie there was a Q&A with Mr. Gold and Peter Meehan of Lucky Peach. Someone in the audience asked Mr. Gold if he ever traveled to the various countries where the cuisines that he explores in LA originate, in order to calibrate his palate with what would be presumed to be authentic examples of the dishes.
Submitted by Leon Ingulsrud on March 24, 2016 - 12:20pm
SITI Alum Selena Vela is starting a web-thing and she did an interview with me on it. Here are a couple of excepts:
Theatre is inherently dynamic. That’s why its ephemerality is not a bug. It’s a feature. It’s the essential feature of theater. Because theater is being created in the present moment, it’s able to deal with the moving target that is the mystery of existence. Truth is not static… see, even that statement is self-contradicting, when you say it in words. It’s one of those ideas that cannot be expressed in language. You have to create something that embodies it.
Submitted by Leon Ingulsrud on March 16, 2016 - 1:13pm
People sometimes wonder why we are called the SITI Company. What is SITI?
When we originally came together in 1993, we called ourselves the Saratoga International Theater Institute. And the intention was that we would hold symposiums and panel discussions and talks along with performances. In our first two summers in Saratoga we did conduct these activities, but as time went on we became more and more focused on our performances.
Submitted by Anne Bogart on March 16, 2016 - 1:12pm
You are free to choose what you want to make of your life. It’s called free agency or free will, and it’s your birthright. (Sean Covey)
The moment that Stefani Joanne Angelina Germanatta first encountered David Bowie on the cover of his record album Aladdin Sane at the age of 19, her perspectives and attitude were forever transformed. She said, “It was an image that changed my life. It was the beginning of my artistic birth.” She put the vinyl record onto a record player that sat on the stove of her tiny apartment and began to evolve into the Lady Gaga that we know today.
Submitted by Akiko Aizawa on March 9, 2016 - 1:41pm
Please allow me to re-post my personal Skidmore summer memory here again. (I posted this in March 2015 on facebook.) I edited a bit this time.
***** Before Joining SITI company, I participated the summer workshop @Skidmore College in 1995 & 1996. In those days, my English was a mess. I was in a kind of lost status after quitting from Suzuki Company of Toga.