Submitted by Leon Ingulsrud on August 9, 2014 - 2:39am
So much of what we do is about building routines.
Of course we have “routines” that we perform on stage, but more importantly at this point in the process are the countless routines that evolve around the daily repetition of our schedule. How we navigate our preparation in the morning and getting to the cars and driving up to the Getty Villa and going through security. And then the routine of the work day itself and the getting home and the night-time routines of unwinding and studying and reflection and distraction. And we will do this for weeks, parsing out our energy and trying to find the best ways to bring our best selves to the problems at hand.
Submitted by Akiko Aizawa on August 9, 2014 - 12:49am
At the last part of the rehearsal, we experimented the entrance of Messenger. With Emily’s brilliant idea, we ran around holding the edge of huge fabric which is hung from the top of balcony. Filled with the wind, it looked like the sails of boats, or restless waves, or the deep breathing of the museum building. It was another inspiring day.
Submitted by Will Bond on August 8, 2014 - 11:53am
Just last night I was doing some investigation into the whens and whichones of the Marathon battle, and the Thermopolae battle, and the Salamis battle (Think of the new movie The 300). It’s really confusing for me to hold in mind, but one thing I did read about Marathon and about the current wars is that they probably happened on or around TODAY. Yes, some of the posited dates are August 5 and August 6. (Maybe that’s why my legs are so tired today.)
Submitted by Leon Ingulsrud on August 1, 2014 - 2:31am
Greetings to all from the Oakwood Marina Del Rey!
While I have lived in LA for several years now, my move to the west side last Sunday felt like a big one…a significant and scary and exciting moment…the kind I’d like to freeze in time and keep in a jar.
Submitted by Leon Ingulsrud on July 31, 2014 - 3:44am
This last weekend I had the distinct and singular honor of officiating at the wedding of SITI Company’s beloved Vanessa Sparling’s wedding. I missed rehearsal on Saturday to fly up to Monterey Bay/Carmel by the Sea to say words and sign documents that add up to the official, legal part of Vanessa and Miguel being married. It was amazing. It was beautiful. It was an honor. It was a joy. It was a trip. The two of them wrote vows that blew the top off the whole place.
Submitted by Ellen Lauren on July 28, 2014 - 10:31pm
There is something of the divine, its like touching into something of the divine working at the Getty Villa. For an actor at least. And so making an ancient play is an evocation of sorts. The tasks are no longer pouring honey and oil in libation to contact the powers over heaven and earth. Our tasks rather take the form of simpler things, practical, necessary. But they are to evoke the things that have power over our world nonetheless. Our imaginations.
SITI Company is currently engaged in a three-year project with the Krannert Center for the Performing Arts in Champaign-Urbana, Illinois. Supported by the Doris Duke Charitable Foundation, our shared endeavor is entitled Making Communities Visible. The Krannert is an imposing and formidable performing arts center sometimes called “the Lincoln Center of the Midwest.” But among some constituents of the Champaign-Urbana community, the Krannert is considered elitist and inaccessible.
Submitted by Ellen Lauren on July 3, 2014 - 4:00pm
Here is a link to Notes for a Voyage. I recorded the voice over for this while in Saratoga this summer for the Martha Graham Dance Company. Peter Sparling, the director, approached me on a recommendation from the MGCo. members. It was a bit of a quick and dirty recording, the concert was to be in 2 days. I have to say, this was such an honor, as the dancers featured, Blakely, Tadej, Ben and Loyd, are some of the most spectacular dancers in this country if not the world today.