Brian H Scott
Brian is a SITI Company member and has designed lighting for Café Variations, Trojan Women and Persians in association with the Getty Villa; American Document with the Martha Graham company; Under Construction, Who Do You Think You Are, Hotel Cassiopeia, Death and the Ploughman, bobrauschenbergamerica (Henry Hewes Design Award 2004) and War of the Worlds–the Radio Play. With Rude Mechs: Stop Hitting Yourself; Now Now, Oh Now; Method Gun; I’ve Never Been So Happy; How Late It Was, How Late; Lipstick Traces; Requiem for Tesla; and Matchplay. He designed light for Ann Hamilton’s the event of a thread and the theatre is a blank page. With Park Avenue Armory, he has created lighting for tears become… streams become… with Douglas Gordon, The Let Go for Nick Cave and for Laurie Anderson and Kronos Quartet’s Landfall.